History of the music box |
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According to the technical dictionary of musics and music boxes
of the Conservatoire Autonome des boîtes à musique
(Independent Conservatory of music boxes) in Geneva, a music
box is a mechanical music instrument based on a steel comb with
several fingers which are fixed on one edge and raisen up on the
other edge by the pins of a cylinder (or disk). It rotates by means
of a handle, a spring or another small device. |
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The sound system of a music box is made up of several tempered
steel fingers which are fixed on one edge and then vibrate, not
through percussion or friction, but through the movement of the
other mobile edge to finally release. The play system of the music box, i.e.fingers' raise and release, is directly enabled through bumps |
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A 72-notes Reuge music box |
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placed on a mobile area (cylinder, disk, plate), or through a set of mechanical parts which detect the punches on a mobile support: the reading system. These bumps or punches translate the score, the notes to play in a certain lapse of time: it is the memory system. The memory system driving has therefore two functions: time and energy supply. |
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This is made possible by a clock movement made up of a spring which stocks energy and a system ensuring a more or less steady speed, both being linked together by a proper gearing. The spring can be replaced by a weight if the musical system is set inside a weight clock or later by an electric motor. |
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Historically, it seems that the music box had
been invented twice: once by Josef Nagy in Hungary in the 18th century
being fan-shaped with platform, and twice by Antoine Favre, i.e. the
cylinder type with piled up fingers and then comb-shaped. |
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